"Papercut": when I realized there was more to electronic music
"Paradigm" is my kind of deep house
I appreciate "Day 'n' Nite" now more than I ever did before
"Inner Light" speaks to my anxious self in a re-emerging social climate
"Digital Love" is my favorite electronic track of all time
"Intrasport" shouldn't work as well as it does, but I can't stop dancing to it
I'd been hoping for a Years & Years collaboration like "Sweet Talker," and it delivered
"Sacrifice" is both a dance floor-ready pop anthem and a narrative turning point
"aNYway" is house formed straight from its disco roots
DubVision's remix of "Ocean" sonically captures an emotional reunion
"I'm Not Alone": a self-reckoning on self-destruction
"Dreams" demonstrates the power of recurrence
"Tear It Down" and the art of crafting a true sonic narrative in dance music
Bob Sinclar and Steve Edwards say, "World, Hold On"... but how do we do that?
Is it house? Is it electronica? Is it pop? All I know is that it's "Magnets," and it's awesome.
"My Head and My Heart" places a Eurodance classic into a new, house-based context
"Unknown Song" captures my present anxieties and questions, then tries to answer them
"Little L" sounds like a happy, groovy jam until you parse the lyrics
"1901," the ultimate French track of its time — which calls back to another time
On house music and perspective through the lens of "Rain On Me"